Mrs. George Clooney takes on the battle for the Elgin Marbles

STEALING ATHENA, my novel about the 2300 year journey of the contrversial  Elgin Marbles, is written from the perspectives of two of history’s most fascinating women. Now, another fascinating women,  Amal Alamuddin Clooney, has joined the legal team arguing for restoration of  the marbles (aka The Parthenon Sculptures) to Greece.  It’s a complex issue with a long history, and  I hope Mrs. Clooney can help move it forward in a constructive way.   Please read on…

WHO OWNS ART?  WHO OWNS DEMOCRACY? ... Read more.

How to relocate a vampire

IMG_0180

KAREN ESSEX, TRAVELLING FOR DRACULA IN LOVE, OR HOW TO ADD NEW GEOGRAPHY TO AN OLD STORY AND RELOCATE A VAMPIRE

Readers often tell me that they take my novels on holiday as travel and history guides. I love giving readers an experience on the page, but I love it even more when they are inspired to leave their armchairs and experience the characters and the history firsthand. As an historical novelist, nothing informs my work like travel.  I love to walk in my characters’ footsteps, breathing in the air that they breathed, literally sharing molecules with them. ... Read more.

Living on PLANET WHITE

Diahnn Carroll as Julia

Friends, can it really be true that we’ve had no tv series with a single African-American female lead since 1974???  The article below mentions Teresa Graves’s as an undercover detective in the 1974 made-for-TV flick Get Christie Love!, which I do not remember, but I DO remember watching the beautiful Diahnn Carroll as Julia when I was a kid back in the late ’60s.

So, um, let’s see.  Diahnn Carroll broke that glass ceiling, Teresa Graves followed her, and um, we’ve had a mere 40 year absence of series led by a single black woman?? ... Read more.

Mina Harker: An Uncooperative Protagonist

From the first time that I read Bram Stoker’s Dracula in my teens, though I revered the work, I just knew that the character Mina Harker, Dracula’s obsession, was not satisfied with the role Mr. Stoker gave her—the quintessentially compliant Victorian virgin.  I knew that there had to be more to her than that.  (I knew that there had to be more to any woman than that.)

Anyone who has read my books knows that I am all about restoring grrrrl power to the historical record.  In Dracula in Love, I decided to tackle a work of fiction, reexamining an iconic female character that had not been given her due.  In a nutshell, my plan was to rescue Mina from Stoker’s sexist fantasy of the nice, cooperative girl, and empower her. ... Read more.